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Nova Scotia Archives and Records Management
gov.ns.ca > Tourism, Culture and Heritage > NSARM > Virtual Exhibits > The Prat Sisters
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The Prat Sisters: Free Spirits of the 1890s*

Illustrated Essay
Annie's wild flowers
and fungi
Annie's family portraits
Annie's early life
Prat family circle
Annie & Chicago Art Institute
Minnie & May in New York

200600210


200600345


200600224

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Annie, Minnie and May Prat, adventurous sisters from Wolfville, Nova Scotia, embarked on unusual artistic careers in the United States in the late 1890s. In 1896, Annie, 35, enrolled at the School of the Art Institute of Chicago. In 1897, Minnie, 29, moved to New York City to learn bookbinding with Evelyn Nordhoff, who had herself apprenticed in England with noted Arts and Crafts bookbinder, T.J. Cobden-Sanderson. May Rosina, 26, joined Minnie shortly afterward to study decorative leatherwork and bookbinding with Nordhoff.

The sisters had a fascinating circle of friends, centered around the Prat family home in Wolfville. Chief among them were poets Charles G.D. Roberts and his cousin, Bliss Carman, and Charles G.D.'s younger brother, Goodridge, who was engaged to Minnie. In 1892 tragedy struck the Prat family circle. On February 4, a month before Minnie's 24th birthday, Goodridge, 22, died of influenza at the Prat family home. Her father, Samuel, died of the same illness nine days later.

Five years later, Minnie found the courage to go to New York to apprentice with Nordhoff, in a field in which women were still pioneers. Bliss Carman, then living in New York, had arranged for the apprenticeship. Evelyn Nordhoff died unexpectedly in November 1898, at the age of 33, after a short illness. Minnie, May Rosina, and other former students kept her bindery going after her death. By 1900, Minnie and May had opened the Primrose Bindery at 37 West 22nd Street.

In 1896-97, Annie studied at the School of Art Institute of Chicago and privately with miniature artist, Cecile Payen. Afterward, she spent much time in New York State, painting and teaching art, assisting her sisters at the bindery, and visiting her closest friend, Dorothy Cornell, at Ithaca.

In 1900, Minnie and May's work was featured in an article in Harper's Bazaar. Minnie won a silver medal for her bookbinding at the 1900 Paris Exposition and a bronze medal at the 1901 Pan-American Exposition at Buffalo, New York. However, she did not live to receive her bronze medal. She died of typhoid fever at Wolfville on September 4, 1901, at the age of 33.

After Minnie's death, May Rosina, herself recovering from the effects of typhoid, found it difficult to carry on the business without her. Annie supported May Rosina by working with her at the Primrose Bindery. However, in the spring of 1904, May Rosina closed the bindery and returned to Wolfville to be married. Annie continued her career as a semi-professional artist in Nova Scotia.

This virtual exhibit focuses on the most remarkable period of the sisters' lives, from 1889 to 1901. It features Annie's watercolours, Minnie's bookbinding, and May Rosina's leatherwork, as well as letters from Bliss Carman to Annie and Minnie, several never before published. Through an interesting mix of correspondence, photographs, and memorabilia, it illuminates the sisters' creative spirits, warm personal and family relationships, and passion for life.

The exhibit is organized as follows: Annie's watercolours of wild flowers and fungi; Annie's portraits of herself and her family; Annie's early life; the Prat sisters, their family and friends; Annie at the School of the Art Institute of Chicago, with examples of her miniature painting; and Minnie and May Rosina and the New York bindery years.

For more information continue with the illustrated essay


Acknowledgments

Several archives in the province have generously contributed digitized material to 'The Prat Sisters: Free Spirits of the 1890s.' The Esther Clark Wright Archives, Acadia University; Dalhousie University Archives and Special Collections; and the University of King's College Archives have provided items which have greatly enhanced the content, look and feel of the exhibition. Their cooperation is much appreciated.



* Title taken from Elissa Barnard, 'The Prat Sisters: Free Spirits of the 1890s' in Mail Star: Nova Scotian, 31 January 1987. Barnard's article described 'The Prat Exhibition: Three Talented Sisters,' whose catalogue (Public Archives of Nova Scotia, 1986) characterized the sisters as 'free-spirited.'
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