by
Martha Marleau
Visual and Sound Archives
Childhood is defined as the state of
being a child; from birth to puberty. From an adult's perspective, this magical time of
innocence and naïvety is also a time to mature and assume responsibility. From a child's
perspective, it is a time of happy carefree play, for exploration and learning, but is
also a time to cope with authority, dependence, fear and vulnerability. The major
milestones in a child's life from birth onwards often relate to attainment of levels of
maturity through the experience of "first" events such as first steps, first
religious rites, first school days, first jobs, first dates and first prized possessions
such as new bicycles. The National Archives' art collection includes enchanting and
personal images in various media including oils, painted photographs, watercolours,
miniatures, silhouettes, drawings and prints. Subjects are single or group portraits and
children engaged in family activities. Several recently acquired collections contain both
children's drawings and works that make us reminisce about the "good old days."
Early artworks reflect what European
explorers encountered in North America. Documenting childhood was sometimes an element of
a general romantic interest in the exotic, found in the artifacts, costumes and habitat of
cultures foreign to the European world. Illustrations of Aboriginal and Inuit family
groups of mothers and children depicted in native costume and outdoor settings suggest how
children were cared for. Portrait artist Angelica Kauffmann painted "Woman in Eskimo
Clothing from Labrador" (figure 1) sometime
between 1768 and 1772 when living in London, England. The painting was produced to satisfy
the need to visually document the inhabitants of newly discovered lands. The artist did
not observe the Inuit first-hand, and it is believed that a European model likely posed in
authentic costume available to her patrons in London. There are indisputably accurate
costume details in this printing as well as the use of some artistic licence. For example,
a baby peeps out from the top of a long wide boot on the right leg of the woman. It is
known that the custom of carrying the baby in the boot was noted by early explorers, and
engravings document this practice, however, the practice is still questioned and no
specimen of the boot has been preserved. The woman wears the wide-cut "mother's
parka" known as the amautik, in which the baby was carried. The painting
suggests how Inuit mothers travelled on foot with their offspring. |
Figure
1 Angelica Kauffmann, "Woman in Eskimo Clothing from Labrador,"
ca. 1768-1772, oil on canvas.
National Archives of Canada, C-95201 |