Vous consultez une page Web conservée, recueillie par Bibliothèque et Archives Canada le 2007-05-26 à 09:11:59. Il se peut que les informations sur cette page Web soient obsolètes, et que les liens hypertextes externes, les formulaires web, les boîtes de recherche et les éléments technologiques dynamiques ne fonctionnent pas. Voir toutes les versions de cette page conservée.
Chargement des informations sur les médias

You are viewing a preserved web page, collected by Library and Archives Canada on 2007-05-26 at 09:11:59. The information on this web page may be out of date and external links, forms, search boxes and dynamic technology elements may not function. See all versions of this preserved page.
Loading media information
Skip navigation links (access key: Z)Library and Archives Canada / Bibliothèque et Archives Canada
Graphical element FrançaisContact UsHelpSearchCanada Site
HomeAbout UsWhat's NewWhat's OnPublications

Banner: The Virtual Gramophone
Graphical elementIntroductionListenCollection Search

Éva Gauthier - Early Career

Lady Zoë Laurier and Sir Wilfrid Laurier, Éva Gauthier's patrons  

Josephine Éva Phoebe Gauthier was born on September 20, 1885 in Ottawa, Ontario. There Éva took piano, harmony and voice lessons, and sang at St. Patrick's Church and Ottawa's Notre Dame Basilica. In those days, Canadian musicians normally sought training under European teachers, so Gauthier travelled to Europe in 1902, at age 17, with the assistance of her uncle and aunt, Sir Wilfrid Laurier and Lady Zoë Laurier. In France, Gauthier studied voice privately with Auguste-Jean Dubulle of the Paris Conservatory, and underwent surgery to correct nodules on the vocal cords. Subsequently, she studied with Jacques Bouhy, whom she credited for her vocal technique.

  Postcard from Éva Gauthier (in English) to her parents upon her arrival in Paris, October 1902

In Europe, Gauthier learned the standard vocal repertoire. Originally she performed as a contralto, but she expanded her range to include the soprano and even coloratura registers, though she became known primarily as a mezzo. Throughout her career, she used her wide vocal range to advantage.

Dame Emma Albani, the first Canadian singer to achieve an international career  

By 1905, Gauthier had been engaged by the pre-eminent Canadian singer Dame Emma Albani for a concert tour of the United Kingdom and for Albani's 1906 Canadian farewell tour. Gauthier was paid $70 per week for this 30-concert tour of Canada. At the performance in Ottawa, Gauthier's hometown, Albani recognized her protégé's obvious talents by stating, "As an artistic legacy to my country, I leave you Éva Gauthier". Albani took a special interest in Gauthier's singing career, giving her advice on care of the voice and similar matters.

  Note from Dame Emma Albani advising Éva Gauthier how to treat a cold the night before a concert in Scotland, October 23, 1905

Through her connections with the Lauriers and Albani, Éva obtained assistance from many high-placed individuals. Around 1906 Lord Strathcona, Canada's High Commissioner in London, provided her with a scholarship, which enabled her to study and perform in London and Europe. Despite making numerous concert appearances, Gauthier did not make her opera debut until 1909 in Pavia, Italy, when she successfully sang the role of Micaela in Carmen. Afterwards, Gauthier returned to singing in recital with various European orchestras. She did attempt a second grand opera role, but gave up on opera altogether after suffering a significant disappointment.

She had prepared the role of Mallika in Léo Delibes' Lakmé for the London Covent Garden opera company in June 1910. However, she received a shock on opening night when the director informed her that she was being replaced at the demand of the prima donna soprano Luisa Tetrazzini, who feared Gauthier's voice would overpower her own. Rather than give in to such artistic blackmail, Gauthier quit the company altogether.

Previous  Next