Dracula

This article is about the novel. For the eponymous character, see Count Dracula. For other uses, see Dracula (disambiguation).

Dracula

The cover of the first edition
Author	Bram Stoker
Country	United Kingdom
Language	English
Genre	Horror, Gothic
Publisher	Archibald Constable and Company (UK)
Publication date	26 May 1897
OCLC	1447002

Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker.

Famous for introducing the character of the vampire Count Dracula, the novel tells the story of Dracula's attempt to move from Transylvania to England so he may find new blood and spread the undead curse, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing.

Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel and invasion literature. Although Stoker did not invent the vampire, he defined its modern form, and the novel has spawned numerous theatrical, film and television interpretations.

Plot summary

Stoker's handwritten notes on the personnel of the novel

The story is told in epistolary format, as a series of letters, diary entries, and ships' log entries, whose narrators are the novel's protagonists, and occasionally supplemented with newspaper clippings relating events not directly witnessed. The events portrayed in the novel take place chronologically and largely in England and Transylvania during the 1890s and all transpire within the same year between the 3rd of May and the 6th of November. A short note is located at the end of the final chapter written 7 years after the events outlined in the novel.

The tale begins with Jonathan Harker, a newly qualified English solicitor, visiting Count Dracula in the Carpathian Mountains on the border of Transylvania, Bukovina, and Moldavia, to provide legal support for a real estate transaction overseen by Harker's employer. At first enticed by Dracula's gracious manners, Harker soon realizes that he is Dracula's prisoner. Wandering the Count's castle against Dracula's admonition, Harker encounters three female vampires, called "the sisters", from whom he is rescued by Dracula. After the preparations are made, Dracula leaves Transylvania and abandons Harker to the sisters. Harker barely escapes from the castle with his life.

Not long afterward, a Russian ship, the Demeter, having weighed anchor at Varna, runs aground on the shores of Whitby. The captain's log narrates the gradual disappearance of the entire crew, until the captain alone remained, himself bound to the helm to maintain course. An animal resembling "a large dog" is seen leaping ashore. The ship's cargo is described as silver sand and 50 boxes of "mould", or earth, from Transylvania. It is later learned that Dracula successfully purchased multiple estates under the alias 'Count De Ville' throughout London and devised to distribute the 50 boxes to each of them utilizing transportation services as well as moving them himself. He does this this to secure for himself "lairs" and the 50 boxes of earth would be used as his graves which would grant safety and rest during times of feeding and replenishing his strength.

Soon Dracula is recorded stalking Lucy Westenra, who happens to live in Whitby. As time pases she begins suffering from episodes of sleepwalking and dementia. Lucy receives three marriage proposals from Dr. John Seward, Quincey Morris, and Arthur Holmwood (The son of Lord Godalming but later obtains the title himself). Lucy accepts Holmwood's proposal while turning down Seward and Morris, but all remain friends. Dracula communicates with Seward's patient Renfield, an insane man who wishes to consume insects, spiders, birds, and rats to absorb their "life force", and therefore assimilate to Dracula himself. Renfield is able to detect Dracula's presence and supplies clues accordingly.

When Lucy begins to waste away suspiciously, Seward invites his old teacher, Abraham Van Helsing, who immediately determines the cause of Lucy's condition but refuses to disclose it but diagnoses her with acute blood-loss. Helsing prescribes numerous blood transfusions to which Dr. Seward, Helsing, Quincy and Arthur all contribute over time. Helsing also prescribes flowers to be placed throughout her room and weaves a necklace of withered Garlic Blossoms for her to wear as well. She however continues to waste away - appearing to lose blood every night. While both doctors are absent, Lucy and her mother are attacked by a wolf; Mrs. Westenra, who has a heart condition, dies of fright. Van Helsing attempts to protect her with garlic but fate thwarts him each night, whether Lucy's mother removes the garlic from her room, or Lucy herself does so in her restless sleep. The doctors have found two small puncture marks about her neck, which Dr Seward is at a loss to understand. Helsing then places a crucifix around her neck, but soon after she is discovered dead with the crucifix missing. Helsing discovers that one of the nurses stole it the night before.

Following Lucy's death, the newspapers report children being stalked in the night by, in their words, a "bloofer lady" (i.e., "beautiful lady"). Van Helsing, knowing Lucy has become a vampire, confides in Seward, Lord Godalming, and Morris. The suitors and Van Helsing track her down and, after a confrontation with her, stake her heart, behead her, and fill her mouth with garlic. Around the same time, Jonathan Harker arrives from Budapest, where Mina marries him after his escape, and he and Mina join the coalition against Dracula.

Each of the individuals directly affected by Dracula's cruelty team up and vow to destroy and rid the Earth of his evil. To do so, they all stay at Dr. Seward's residence and hold nightly meetings and to provide reports based on each of their various tasks. Mina discovers that each of their journals and letters all collectively contain clues to which they can track him down. She tasks herself with collecting them, researching newspaper clippings, fitting the most relevant entries into chronological order and typing out copies to distribute to each of the party for which they are to study. Johnathon Harker travels throughout London to track down the shipments of boxed graves and the estates to which Dracula has purchased in order to store them. Van Helsing along with Dr. Seward conducted research to analyze the behavior of their patient Renfield who they learn is directly influenced by Dracula. They also research various historical events, folklore, and superstitions from various cultures to create an understanding of Dracula's powers and weaknesses. Van Helsing also establishes a criminal profile on Dracula in order to better understand his actions and predict his movements. Arthor Holmwood's fortune assists in funding the entire operation and expenses. As they learn the various properties Dracula had purchased, the male protagonists team up to raid each of the properties while at times being confronted by Dracula. As they discover each of the boxed graves scattered throughout London, they pry them open to place and seal wafers of sacramental bread within. This act completely renders the boxes of earth useless to Dracula as he is unable to open, enter or further transport them.

After Dracula learns of the group's plot against him, he attacks Mina on three occasions, and feeds Mina his own blood to control her. This curses Mina with vampirism and changes her but does not completely turn her into a vampire. Van Helsing attempts to bless Mina through prayer and by placing a wafer of sacrament against her forehead although it burns her upon contact leaving a retched scar. Under this curse, Mina oscillates from consciousness to a semi-trance during which she perceives Dracula's surroundings and actions. Van Helsing was able to use hypnotism at times of dawn to put her in this trance to further track his movements. Mina afraid of Dracula's link with her urges the team not to tell her their plans out of fear that Dracula would be listening. After the protagonists discover and sterilize 49 boxes found throughout his lairs in London, they learn that Dracula flees with the missing box back to his castle in Transylvania. They all pursued him under the guidance of Mina. Later splitting up into teams n their travels abroad. In Transylvania, Van Helsing and Mina team up to locate the castle of Dracula while the other attempt to ambush the boat Dracula is using to get back. Van Helsing raids the castle and destroys the vampire "sisters". Upon discovering Dracula being transported by Gypsies, Harker shears Dracula through the throat with a kukri while the mortally wounded Quincey stabs the Count in the heart with a Bowie knife. Dracula crumbles to dust which Mina is then freed from her curse of vampirism.

The book closes with a note left by Johnathon Harker 6 years after the events of the novel, detailing his married life with Mina and the birth of their son, whom they name after all four members of the party, but address as "Quincey". Quincy was depicted sitting on the knee of Van Helsing as they recount their adventure.

"Dracula's Guest"

In 1914, two years after Stoker's death, the short story "Dracula's Guest" was posthumously published. It was, according to most contemporary critics, the deleted first (or second) chapter from the original manuscript and the one which gave the volume its name, but which the original publishers deemed unnecessary to the overall story.

"Dracula's Guest" follows an unnamed Englishman traveller as he wanders around Munich before leaving for Transylvania. It is Walpurgis Night, and in spite of the coachman's warnings, the young Englishman foolishly leaves his hotel and wanders through a dense forest alone. Along the way he feels he is being watched by a tall and thin stranger (possibly Count Dracula).

The short story climaxes in an old graveyard, where in a marble tomb (with a large iron stake driven into it), the Englishman encounters a sleeping female vampire called Countess Dolingen. This malevolent and beautiful vampire awakens from her marble bier to conjure a snowstorm before being struck by lightning and returning to her eternal prison. However, the Englishman's troubles are not quite over, as he is dragged away by an unseen force and rendered unconscious. He awakes to find a "gigantic" wolf lying on his chest and licking at his throat; however, the wolf merely keeps him warm and protects him until help arrives.

When the Englishman is finally taken back to his hotel, a telegram awaits him from his expectant host Dracula, with a warning about "dangers from snow and wolves and night".

Deleted ending

An excerpt from the original final chapter was removed, in which Dracula's castle falls apart as he dies, hiding the fact that vampires were ever there.

As we looked there came a terrible convulsion of the earth so that we seemed to rock to and fro and fell to our knees. At the same moment with a roar which seemed to shake the very heavens the whole castle and the rock and even the hill on which it stood seemed to rise into the air and scatter in fragments while a mighty cloud of black and yellow smoke volume on volume in rolling grandeur was shot upwards with inconceivable rapidity.

Then there was a stillness in nature as the echoes of that thunderous report seemed to come as with the hollow boom of a thunder-clap - the long reverberating roll which seems as though the floors of heaven shook. Then down in a mighty ruin falling whence they rose came the fragments that had been tossed skywards in the cataclysm.

From where we stood it seemed as though the one fierce volcano burst had satisfied the need of nature and that the castle and the structure of the hill had sunk again into the void. We were so appalled with the suddenness and the grandeur that we forgot to think of ourselves.

— Deleted excerpt from the original Dracula manuscript

Characters

• Jonathan Harker: A solicitor sent to do business with Count Dracula; Mina's fiancé and prisoner in Dracula's castle.
• Count Dracula: A Transylvanian noble who has purchased a house in London.
• Wilhelmina "Mina" Harker (née Murray): A schoolteacher and Jonathan Harker's fiancée.
• Lucy Westenra: A 19-year-old aristocrat; Mina's best friend; Arthur's fiancée and Dracula's first victim.
• Arthur Holmwood: Lucy's suitor and later fiancé.
• John Seward: A doctor; one of Lucy's suitors and a former student of Van Helsing.
• Abraham Van Helsing: A Dutch doctor, lawyer and professor; John Seward's teacher.
• Quincey Morris: An American cowboy and explorer; and one of Lucy's suitors.
• Renfield: A lawyer who has lost his wits after meeting Dracula.
• "Weird Sisters": Three siren-like vampire women who serve Dracula. In some of the plays, films etc. that came after the novel they are referred to as the Brides of Dracula.

Background

Between 1879 and 1898, Stoker was a business manager for the world-famous Lyceum Theatre in London, where he supplemented his income by writing a large number of sensational novels, his most famous being the vampire tale Dracula published on 26 May 1897. Parts of it are set around the town of Whitby, where he spent summer holidays. Throughout the 1880s and 1890s, authors such as H. Rider Haggard, Rudyard Kipling, Robert Louis Stevenson, Arthur Conan Doyle, and H. G. Wells wrote many tales in which fantastic creatures threatened the British Empire. Invasion literature was at a peak, and Stoker's formula of an invasion of England by continental European influences was by 1897 very familiar to readers of fantastic adventure stories. Victorian readers enjoyed it as a good adventure story like many others, but it would not reach its iconic legendary status until later in the 20th century when film versions began to appear.

Shakespearean actor and friend of Stoker's, Sir Henry Irving was a possible real-life inspiration for the character of Dracula. The role was tailor-made to his dramatic presence, gentlemanly mannerisms and affinity for playing villain roles. Irving, however, never agreed to play the part on stage.

Before writing Dracula, Stoker spent seven years researching European folklore and stories of vampires, being most influenced by Emily Gerard's 1885 essay, "Transylvania Superstitions". Later he would also claim that he had a nightmare, caused by eating too much crab meat covered with mayonnaise sauce, about a "vampire king" rising from his grave.

Despite being the most widely known vampire novel, Dracula was not the first. It was preceded and partly inspired by Sheridan Le Fanu's 1871 "Carmilla", about a lesbian vampire who preys on a lonely young woman, and by Varney the Vampire, a lengthy penny dreadful serial from the mid-Victorian period by James Malcolm Rymer. The image of a vampire portrayed as an aristocratic man, like the character of Dracula, was created by John Polidori in "The Vampyre" (1819), during the summer spent with Frankenstein creator Mary Shelley, her husband, the poet Percy Bysshe Shelley and Lord Byron in 1816. The Lyceum Theatre, where Stoker worked between 1878 and 1898, was headed by the actor-manager Henry Irving, who was Stoker's real-life inspiration for Dracula's mannerisms and who Stoker hoped would play Dracula in a stage version. Although Irving never did agree to do a stage version, Dracula's dramatic sweeping gestures and gentlemanly mannerisms drew their living embodiment from Irving.

The Dead Un-Dead was one of Stoker's original titles for Dracula, and up until a few weeks before publication, the manuscript was titled simply The Un-Dead. Stoker's notes for Dracula show that the name of the count was originally "Count Wampyr", but while doing research, Stoker became intrigued by the name "Dracula", after reading William Wilkinson's book Account of the Principalities of Wallachia and Moldavia with Political Observations Relative to Them (London 1820), which he found in the Whitby Library, and consulted a number of times during visits to Whitby in the 1890s. The name Dracula was the patronym (Drăculea) of the descendants of Vlad II of Wallachia, who took the name "Dracul" after being invested in the Order of the Dragon in 1431. In the Romanian language, the word dracul (Romanian drac "dragon" + -ul "the") can mean either "the dragon" or, especially in the present day, "the devil".

The novel has been in the public domain in the United States since its original publication because Stoker failed to follow proper copyright procedure. In the United Kingdom and other countries following the Berne Convention on copyrights, however, the novel was under copyright until April 1962, fifty years after Stoker's death. When F. W. Murnau's unauthorized film adaptation Nosferatu was released in 1922, the popularity of the novel increased considerably, owing to the controversy caused when Stoker's widow tried to have the film removed from public circulation.

Reaction and scholarly criticism

1899 first American edition, Doubleday & McClure, New York.

When it was first published, in 1897, Dracula was not an immediate bestseller, although reviewers were unstinting in their praise. The contemporary Daily Mail ranked Stoker's powers above those of Mary Shelley and Edgar Allan Poe as well as Emily Brontë's Wuthering Heights.

According to literary historians Nina Auerbach and David J. Skal in the Norton Critical Edition, the novel has become more significant for modern readers than it was for contemporary Victorian readers, most of whom enjoyed it just as a good adventure story; it reached its broad iconic legendary classic status only later in the 20th century when the movie versions appeared. It did not make much money for Stoker; the last year of his life he was so poor that he had to petition for a compassionate grant from the Royal Literary Fund, and in 1913 his widow was forced to sell his notes and outlines of the novel at a Sotheby's auction, where they were purchased for a little over 2 pounds. But when F. W. Murnau's unauthorized adaptation of the story in the form of Nosferatu was released in theatres in 1922, Stoker's widow took affront, and during the legal battle that followed, the novel's popularity started to grow. Nosferatu was followed by a highly successful stage adaptation, touring the UK for three years before arriving in the US where Stoker's creation caught Hollywood's attention, and after the American 1931 movie version was released, the book has never been out of print. However, some Victorian fans were ahead of the time, describing it as "the sensation of the season" and "the most blood-curdling novel of the paralysed century". Sherlock Holmes author Sir Arthur Conan Doyle wrote to Stoker in a letter, "I write to tell you how very much I have enjoyed reading Dracula. I think it is the very best story of diablerie which I have read for many years." The Daily Mail review of 1 June 1897 proclaimed it a classic of Gothic horror, "In seeking a parallel to this weird, powerful, and horrorful story our mind reverts to such tales as The Mysteries of Udolpho, Frankenstein, The Fall of the House of Usher ... but Dracula is even more appalling in its gloomy fascination than any one of these."

Similarly good reviews appeared when the book was published in the U.S. in 1899. The first American edition was published by Doubleday & McClure in New York.

In the last several decades, literary and cultural scholars have offered diverse analyses of Stoker's novel and the character of Count Dracula. C.F. Bentley reads Dracula as an embodiment of the Freudian id. Carol A. Senf reads the novel as a response to the powerful New Woman, while Christopher Craft sees Dracula as embodying latent homosexuality. Stephen D. Arata interprets the events of the novel as anxiety over colonialism and racial mixing, and Talia Schaffer construes the novel as an indictment of Oscar Wilde. Franco Moretti reads Dracula as a figure of monopoly capitalism, though Hollis Robbins suggests that Dracula's inability to participate in social conventions and to forge business partnerships undermines his power. Richard Noll reads Dracula within the context of 19th century alienism (psychiatry) and asylum medicine. D. Bruno Starrs understands the novel to be a pro-Catholic pamphlet promoting proselytization.

Historical and geographical references

Although Dracula is a work of fiction, it does contain some historical references. The historical connections with the novel and how much Stoker knew about the history are a matter of conjecture and debate.

Following the publication of In Search of Dracula by Radu Florescu and Raymond McNally in 1972, the supposed connections between the historical Transylvanian-born Vlad III Dracula of Wallachia and Bram Stoker's fictional Dracula attracted popular attention. During his main reign (1456–1462), "Vlad the Impaler" is said to have killed from 40,000 to 100,000 European civilians (political rivals, criminals, and anyone he considered "useless to humanity"), mainly by impaling. The sources depicting these events are records by Saxon settlers in neighbouring Transylvania, who had frequent clashes with Vlad III. Vlad III is revered as a folk hero by Romanians for driving off the invading Ottoman Turks, of which his impaled victims are said to have included as many as 100,000.

Vlad the Impaler.

Historically, the name "Dracula" is derived from a Chivalric order called the Order of the Dragon, founded by Sigismund of Luxembourg (then king of Hungary) to uphold Christianity and defend the Empire against the Ottoman Turks. Vlad II Dracul, father of Vlad III, was admitted to the order around 1431, after which Vlad II wore the emblem of the order and later, as ruler of Wallachia, his coinage bore the dragon symbol, from which the name "Dracula" is derived. People of Wallachia only knew voievod (king) Vlad III as Vlad Țepeș (the Impaler). The name "Dracula" became popular in Romania after publication of Stoker's book. Contrary to popular belief, the name Dracula does not translate to "son of the devil" in Romanian, which would be "pui de drac".

Stoker came across the name Dracula in his reading on Romanian history, and chose this to replace the name (Count Wampyr) originally intended for his villain. Some Dracula scholars, led by Elizabeth Miller, argue that Stoker knew little of the historic Vlad III except for the name "Dracula", whereas in the novel, Stoker mentions the Dracula who fought against the Turks, and was later betrayed by his brother, historical facts which unequivocally point to Vlad III:

Who was it but one of my own race who as Voivode crossed the Danube and beat the Turk on his own ground? This was a Dracula indeed! Woe was it that his own unworthy brother, when he had fallen, sold his people to the Turk and brought the shame of slavery on them! Was it not this Dracula, indeed, who inspired that other of his race who in a later age again and again brought his forces over the great river into Turkey-land; who, when he was beaten back, came again, and again, though he had to come alone from the bloody field where his troops were being slaughtered, since he knew that he alone could ultimately triumph! (Chapter 3, pp 19)

The Count's identity is later speculated on by Professor Van Helsing:

He must, indeed, have been that Voivode Dracula who won his name against the Turk, over the great river on the very frontier of Turkey-land. (Chapter 18, p 145)

Many of Stoker's biographers and literary critics have found strong similarities to the earlier Irish writer Sheridan Le Fanu's classic of the vampire genre, Carmilla. In writing Dracula, Stoker may also have drawn on stories about the sídhe, some of which feature blood-drinking women. The folkloric figure of Abhartach has also been suggested as a source.

In 1983, McNally additionally suggested that Stoker was influenced by the history of Hungarian Countess Elizabeth Bathory, who tortured and killed between 36 and 700 young women. It was later commonly believed that she committed these crimes to bathe in their blood, believing that this preserved her youth.

In her book The Essential Dracula, Clare Haword-Maden opined the castle of Count Dracula was inspired by Slains Castle, at which Bram Stoker was a guest of the 19th Earl of Erroll. According to Miller, he first visited Cruden Bay in 1893, three years after work on Dracula had begun. Haining and Tremaine maintain that during this visit, Stoker was especially impressed by Slains Castle's interior and the surrounding landscape. Miller and Leatherdale question the stringency of this connection. Possibly, Stoker was not inspired by a real edifice at all, but by Jules Verne's novel The Carpathian Castle (1892) or Anne Radcliffe's The Mysteries of Udolpho (1794). A third possibility is that he copied information about a castle at Vécs from one of his sources on Transylvania, the book by Major E.C. Johnson. A further option is that Stoker saw an illustration of Castle Bran (Törzburg) in the book on Transylvania by Charles Boner, or read about it in the books by Mazuchelli or Crosse. Many of the scenes in Whitby and London are based on real places that Stoker frequently visited, although in some cases he distorts the geography for the sake of the story. One scholar has suggested that Stoker chose Whitby as the site of Dracula's first appearance in England because of the Synod of Whitby, given the novel's preoccupation with timekeeping and calendar disputes.

Daniel Farson, Leonard Wolf, and Peter Haining have suggested that Stoker received much historical information from Ármin Vámbéry, a Hungarian professor he met at least twice. Miller argues "there is nothing to indicate that the conversation included Vlad, vampires, or even Transylvania" and that, "furthermore, there is no record of any other correspondence between Stoker and Vámbéry, nor is Vámbéry mentioned in Stoker's notes for Dracula."

Adaptations

For more details on this topic, see Dracula in popular culture.

Bela Lugosi as Dracula (1931)

The story of Dracula has been the basis for numerous films and plays. Stoker himself wrote the first theatrical adaptation, which was presented at the Lyceum Theatre under the title Dracula, or The Undead shortly before the novel's publication and performed only once. Popular films include Dracula (1931), Dracula (alternative title: The Horror of Dracula) (1958), and Dracula (also known as Bram Stoker's Dracula) (1992). Dracula was also adapted as Nosferatu (1922), a film directed by the German director F. W. Murnau, without permission from Stoker's widow; the filmmakers attempted to avoid copyright problems by altering many of the details, including changing the name of the villain to "Count Orlok".

The character of Count Dracula has remained popular over the years, and many films have used the character as a villain, while others have named him in their titles, including Dracula's Daughter and The Brides of Dracula. As of 2009, an estimated 217 films feature Dracula in a major role, a number second only to Sherlock Holmes (223 films).

Most adaptations do not include all the major characters from the novel. The Count is always present, and Jonathan and Mina Harker, Dr. Seward, Dr. Van Helsing, and Renfield usually appear as well. The characters of Mina and Lucy are often combined into a single female role. Jonathan Harker and Renfield are also sometimes reversed or combined. Quincey Morris and Arthur Holmwood are usually omitted entirely (Bram Stoker's Dracula being a notable exception).

See also

• Vampire literature
• Church of Saint Mary, Whitby
• List of contemporary epistolary novels
• Bloodline (Cary novel)
• The Book of Renfield#The Book of Renfield: A Gospel of Dracula A diary written by Renfield
• Dracula sequence Stories from Dracula's point of view
• Clinical vampirism

Bibliography

• Dalby, Richard and Hughes, William. Bram Stoker: A Bibliography (Westcliff-on-Sea: Desert Island Books, 2005)
• Frayling, Christopher. Vampyres: Lord Byron to Count Dracula (1992) ISBN 0-571-16792-6
• Eighteen-Bisang, Robert and Miller, Elizabeth. Bram Stoker's Notes for Dracula: A Facsimile Edition Toronto: McFarland, 2008, ISBN 978-0-7864-3410-7
• Hughes, William. Beyond Dracula: Bram Stoker's Fiction and its Cultural Contexts (Basingstoke: Macmillan, 2000)
• McNally, Raymond T. & Florescu, Radu. In Search of Dracula. Houghton Mifflin Company, 1994. ISBN 0-395-65783-0
• Miller, Elizabeth. Dracula: Sense & Nonsense. 2nd ed. Desert Island Books, 2006. ISBN 1-905328-15-X
• Schaffer, Talia. A Wilde Desire Took Me: the Homoerotic History of Dracula, in: ELH - Volume 61, Number 2 (1994), pp. 381–425.
• Senf, Carol. Science and Social Science in Bram Stoker's Fiction (Greenwood, 2002).
• Senf, Carol. Dracula: Between Tradition and Modernism (Twayne, 1998).
• Spencer, Kathleen. Purity and Danger: Dracula, the Urban Gothic, and the Late Victorian Degeneracy Crisis, in: ELH - Volume 59, Number 1 (1992), pp. 197–225.
• Wolf, Leonard. The Essential Dracula. ibooks, inc., 2004. ISBN 0-7434-9803-8
• Klinger, Leslie S. The New Annotated Dracula. W.W. Norton & Co., 2008. ISBN 0-393-06450-6
• Waters, Colin Gothic Whitby . History Press, 2009 - ISBN 0-7524-5291-6

External links

• Dracula at Project Gutenberg, text version of 1897 edition.
• Dracula from the CELT Project, HTML version of 1897 edition. TEI/XML
• Dracula, New York: Grosset & Dunlap, 1897. Scanned first edition from Internet Archive.
• Dracula public domain audiobook at LibriVox
• Bram Stoker, Dracula and Whitby BBC article
• The Myth of Transylvania, Romanian Website dealing with the Dracula myth and the Western perception of Romania.
• Journal of Dracula Studies