Ten years ago she was told it could never be done — it was too big, too unconventional, too diverse, too much about women — now, artist Nicole Brooks is reveling in the success of her creation, Obeah Opera. Revolutionary creator Nicole Brooks shares her inspiration for Obeah Opera, the…
INTERVIEW Over the years UBU has often created plays based on works not written for the stage. How does this novel by Marie-Claire Blais fit into that approach? Denis Marleau – What was appealing about Soifs was its vigorous writing, its larger-than-life scope, its embrace of a…
To reach Calgary’s Old Trout Puppet Workshop, you knock on the door of an unprepossessing Quonset hut, squeeze through the lean-to they use for an office, then finally set foot inside the studio, where an otherworldly vibe possesses you. Puppets gaze down from every corner, ghosts from the…
“It was easy and hard at the same time,” says Marichka Marczyk about the reboot of Counting Sheep: Staging A Revolution, a music theatre hybrid that plunges its audience into the 2014 ‘Revolution of Dignity’ in Kyiv, Ukraine. Co-creator Mark Marczyk, Marichka’s partner in life and work,…
Peggy Baker has been working on who we are in the dark, her most ambitious work to date, for nearly two years now. At the end of August, she again brought together her team of dancers and musicians Sarah Neufeld and Jeremy Gara from Arcade Fire for a week of workshops at the National…
Following the successful launch of the web series earlier this year, Isabelle van Grimde’s epic triptych Eve 2050 continues with the premiere of part two, an installation and performance that invites each visitor to become one of the many faces of Eve 2050. Using infrared cameras and…
ESPACE GO in Montreal was packed on September 12 for the premiere of Le reste vous le connaissez par le cinéma, a compelling new production by writer and director Christian Lapointe. With an elaborate set inspired by the conventions of a traditional classroom, and a chorus of young women…
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