The biographical play about Julia Child is a story of discovering destiny and a portrait of a loving marriage.
Theater Review
A revival of Frank Galati’s adaptation of the Steinbeck classic is surprisingly resonant right now.
Brian Friel’s play about a woman who undergoes surgery to regain her sight gets a stripped down, hyper-intimate online staging.
Pulling off a webcast staging of a complex Shakespeare work with a lucid, educational approach.
An ambitious Zoom-based performance of the stage version of the historic journal is an inspired, moving use of the software.
Drama erupts inside a Ghanaian boarding school when a new student threatens to usurp the reign of a popular student.
Florida Repertory Theatre’s production of Lucas Hnath’s play rises where the original Broadway production stumbled.
Three streaming productions are among the most ambitious theatrical responses to the coronavirus.
Alley Theatre’s stripped-down staging closely tracks the George Orwell classic.
Syracuse Stage’s webstream of Peter Shaffer’s tale about the troubled relationship between Mozart and Salieri strikes all the right notes.
The web-streamed version of Lydia R. Diamond’s play about the first black woman ever to play big-league pro baseball shows that live theater can thrive online.
John Cromwell’s 1940 screen version of Robert E. Sherwood Pulitzer-winning play presents the future president, played by Raymond Massey, as filled with doubts but sensing his destiny.
Conor McPherson’s self-directed jukebox musical based on the songs of Bob Dylan moves to Broadway.
Katori Hall’s latest is the best example yet of her down-to-earth stories bursting with truth.
A timely spin on Stoker for the #MeToo era; a smartly condensed Shelley preserves its source material.
Anyone expecting a standard revival of ‘West Side Story’ is in for a surprise.
Struggling New Yorkers get mixed up with a fresh-off-the-bus widower in Keen Company’s staging of Pearl Cleage’s play
The swinging screen comedy gets an off-Broadway stage adaptation.
Schoolgirl savagery is at the center of Erica Schmidt’s inventive adaptation of Shakespeare’s play.
Bess Wohl’s comedy about the breakup of a couple living in a senior community is humorous, but just barely.
