<
 
 
 
 
×
>
Vous consultez une page Web conservée, recueillie par Bibliothèque et Archives Canada le 2006-10-30 à 02:11:48. Il se peut que les informations sur cette page Web soient obsolètes, et que les liens hypertextes externes, les formulaires web, les boîtes de recherche et les éléments technologiques dynamiques ne fonctionnent pas. Voir toutes les versions de cette page conservée.
Chargement des informations sur les médias

You are viewing a preserved web page, collected by Library and Archives Canada on 2006-10-30 at 02:11:48. The information on this web page may be out of date and external links, forms, search boxes and dynamic technology elements may not function. See all versions of this preserved page.
Loading media information
X
National Gallery of Canada - Musée des beaux-arts du Canada
Five centuries of the Swedish Silver from the collection of the Röhsska Museum
24 October 2006 - 16 January 2007

The National Gallery of Canada invites you to revisit the different periods in the evolution of silversmith through some 100 examples of the silversmith’s craft from the collection of the Röhsska Museum in Göteborg, Sweden. The objects in this exhibition, ranging from teapots and bowls to candlesticks and shakers, illustrate the history of the silversmith’s craft in Sweden and its international influences from the seventeenth century to today.

In this way, the seventeenth century pieces evoke the importance of the exchanges between Sweden and Germany, since a number of Swedish silversmiths studied in that country while German silversmiths immigrated to Sweden. Changing course and influence, the German style gave way in the eighteenth century to a more sober style attributable to the French ascendancy over silver design. The French influence prevailed until late in the eighteenth century as the Swedish artists adopted the rococo motifs that they had seen in Paris. Then, the archaeological discoveries at Pompeii awakened the interest of Swedish artists in classical forms.

In the latter half of the nineteenth century, the silversmith’s craft in Sweden underwent a major transformation with the arrival of industrialization and the mechanization of production. In the twentieth century, as a result of international currents such as Art Nouveau and the Arts and Crafts movement, the silversmith’s craft in Sweden returned to handicraft objects and rediscovered tradition, combining craftsmanship and industrial production to create luxury objects.

Organized and circulated by Sweden’s Röhsska Museum, with support from the Barbro Osher Pro Suecia Foundation, the Swedish Institute, the city of Göteborg and the Embassy of Sweden in Ottawa.

Free with admission to the Gallery Collection.